Problems & Solutions. సమస్యలూ పరిష్కారాలు. समस्याएँ और समाधान

Though this blog has been started as 'problems of telugus', we have expanded into National problems of India, and the problems of the World, particularly Poverty, Inequalities of Income and Wealth. I support Atheism and Marxism which I call TOTAL TRUE SOCIALISM, but I do not wish to impose on others. If you do not like what I write, pl. write your comment here. If you like anything, pl. tell others.

Showing posts with label Bollywood. Show all posts

Thursday, June 1, 2017

1001 News Roundup, Musings and Reflections

On 29th May 2017, we have studied the issue of creating a Special Category in Dadasaheb Phalke Academy Awards, titled 'International Acclaimed Actress Award', probably just for the purpose of granting the award to Ms. Priyanka Chopra. Then we have asked ourselves the key question on whether the Award Granting Institution wanted to pull some crowds for its Awards Distribution function, or whether the Actress herself has approached the Academy to seek an Award. Whatever may be the reason, it appeared as though both are going to benefit. The very next day of our blog post, i.e. the 30th May 2017, Ms. Priyanka Chopra, posted her picture depicting her meeting with the Prime Minister of India, Shri Narendra Modi in Berlin.

Monday, May 29, 2017

1000 Some Reflections on this World and India

Ms. Priyanka Chopra, Climbing Star from Bollywood to Hollywood, is entitled to her own ways, to make quick greenbacks, but why all this hullabaloo about conferring Dadasaheb Phalke Academy Awards to her? Dadasaheb Phalke was the Grand Old Man and the Pioneer of Indian Film Industry of the EARLY 20th Century. Government of India in 1969 constituted a 'Dadasaheb Phalke Award', the highest in the Indian Film World. Ms. Devika Rani, the heroine of the Indian Film Industry in its infancy was the first Recipient. Greats like Satyajit Ray, Shanta Ram, were among its recipients. Usually, this Award is delivered and received from the President of India, the Head of State. The latest recipient of the Award is Telugu Film Director K. Viswanath, who has produced many memorable off-the-beaten-track classical musical films. It appears that our Heroines and Heroes are not willing to wait till some of them get the coveted award from the Government of India. A parallel 'Dadasaheb Phalke Academy Awards' have been created to quench the thirst of the ambitious stars who have made big bucks in India or abroad, or both.

Who approaches whom for these Awards? Who pays whom for these Awards?

Indian Citizens know something about the traditional Official Dadasaheb Phalke Awards, announced and conferred by Government of India, as the Conferment of the Awards by President of India gets wide publicity both in Print and Electronic Media. But they know very little about the "Phalke Academy Awards". While this is so, a new category by name International Acclaimed Actress Award seems to have been introduced for accommodating the BollyHolly star Ms. Priyanka Chopra.

Did Ms. Priyanka Chopra approach the Academy for an Award? Has the Academy approached the actress on its own volition?

Ans: Not known.

Did Ms. Peecee donate any bucks to the Academy to induce them to introduce "International Acclaimed Actress" Award?

Ans: not known. Ordinarily, awards carry some citation, some cup/trophy/memento, and some cash. That means, the Academy has to incur some expense on these counts. Is Ms. Chopra reimbursing them their out of pocket expenses. Ans: Not known.

Is the Phalke Academy is so publicity crazy, and publicity starved, that it is compelled to invite Ms. Priyanka Chopra, so as to 'pull crowds' for their functions

Ans. May be.

Both Print Media and Electronic Media are giving so much publicity for this event. What proportion of it is paid News, and what proportion of it is free news?

Ans: Not known.

Do Yogis need Sofas, Carpets, AirConditioners, Curtains to console mourning family members of a martyr?

Ans: It appears so. For this question, this ybrao-a-donkey is incompetent to reply. Only the Chief Minister of Uttar Pradesh, who is a self-proclaimed Yogi, can reply to this question.

Today's Telugu verse

From Sumati Satakam, by 14th CE poet BaddenAmAtya.

సిరి తా వచ్చిన వచ్చును siri tA vaccina vaccunu
సలలితముగ నారికేళ సలిలము భంగిన్ salalitamuga nArikELa salilamu bhangin
సిరి తా పోయిన పోవును siri tA pOyina pOvunu
కరి మ్రింగిన వెలగపండు కరణిని సుమతీ! kari mringina velaga panDu karaNini sumatI !!

Approx. English gist: 1st line: When wealth comes, it comes,
2nd line: a la the water (juice) in a coconut fruit.
3rd line: When Wealth goes, it goes,
4th line: like the pulp in a stone apple fruit swallowed by an elephant.
Note: It is a 14th Century CE Deccan belief that when an elephant swallows a stone-apple, without breaking its stony epicarp-pericarp, it digests the fruit's pulp, and excretes a hollow fruit.

Purport-Discourse: When wealth comes it comes silently. When it leaves, it makes no noise. Everything takes place silently, as if it happens stealthily. So, the sofas , air conditioner, carpet, curtains, all have come and gone like 'siri'.

To come back and continue adding / deleting / modifying . सशेष. ఇంకా ఉంద.

Thursday, May 4, 2017

972 Can a poor country like India afford to spend Rs. 10 billion on a single movie?

The eight day old Movie Bahubali-2 a Conclusion, is reported to have collected approx. Rs. 8 billion (Rs. 800 Crore) in its eight days life. Print News papers, TV Channels, internet pages are agog with predictions that it will collect Rs. 10 billion (Rs. 1,000 crore) shortly. During the last fortnight there is a big hullabaloo about the Greatness of the contents of Bahubali2 in Press Media, Electronic Media, and Net. It is said that honey-bees live 45 days. Average life span of a worker ant is about five weeks. While the Bahubali-1 Beginning was reported to have gathered big moolah in its first release, it is reported that the same film's second release in March 2017, received little attention and money. Virually with all the newspapers, TV channels, net pages, day-in day-out hammering out the merits of the Bahubali-2, it has become very difficult to delineate and distinguish between GENUINE NEWS and PAID NEWS (advertisements converted into news, of course for an extra payment to the Media).

India is a very poor country, where millions of people find it very difficult to get two square meals a day. Bulk of its population is Working Class. Everybody knows big budget films try to make a quick buck, by jacking up prices of cinema tickets in the first week of release of the film, as if the film will vanish into thin air during the second week. Of course, producers and distributors blame the Exhibitors (Theatre owners), for the black-marketing of Cinema Tickets. I have come across hotel workers, auto-drivers, shop clerks and sales persons, who hardly earn about Rs. 6,000 to Rs. 9,000/- per month (Rs. 200 to 300 per day), shelling out as much as Rs. 2,000/- (about 6 to 8 days wage) to see a film of about 3 hours. They do not know what they are doing.

Some Important Questions

1. Abnormally huge remuneration paid to Heros.
2. Preferance to shot films abroad, even when suitable Indian Locations are available.
3. High rents charged by theatre owners.
4. High profile media publicity.
5. Creating unnecessary sets and settings, spending millions, just to create scenes of a few minutes, which are later, often abandoned or dismantled, resulting in loss of huge quantities of materials such as plywood.
6. Studying History, Researching into veracity and tenability of Legends, Mythologies, and Histories are more important than indulging into fictitious and imaginary questions like "Why did Kattappa kill Bahubali?".
7. May be under evil influences from Hollywood films, Indians seem to have created self-illusions that "SMALL" is not beautiful, and "Small Films" are not financially viable.
8. Media, especially those firms and Companies which have sold financial strength, should not run for dosh from excess crazy advertising and greedy-unhealthy advertising campaigns, simply because there are some millions on golden platters.
9. A dozen Joy-generating, and message-filled (not preaching) films can be produced with the same investments of one single film like Bahubali Beginning and Bahubali-2 Conclusion. Some of them will definitely succeed, though some may fail. This Film World has not become totally black and dismal. When small films are produced, risks can be spread and hedged.
10. On the other hand see: If the big budget films like Bahubal Beginning and Bahubali Conclusion tank at Box Office? In fact, had NOT the producers, directors, distributors, exhibitors have not indulged in numerous unscrupulous marketing practices for creating illusions and craze among the spectators and the people, the two films might have flopped. It is not my wish that they should flop. We should anticipate the possibility of their flopping, and their consequences. At least some lives of some distributors will be wrecked. We can see the lessons from the said-to-be failure of Mr. Pavan Kalyan's films- Gabbar Singh, and Katama Rayudu. Let us wish that Film Industry in toto, and the billions of people across the world are not hijacked and dumped into craze and idiocy, by foolish business advertising and publicity propagandas.

To continue adding / deleting / modifying. सशेष. ఇంకా ఉంది.

Sunday, March 19, 2017

929 What are these birth days at 2 a.m., and when do our Media Houses learn lessons? Will these bourgeoisie habits end only with Total Socialism?

What are these birth-days which are celebrated at 2 a.m., the time at which all the creatures except nocturnal wild animals, are supposed to be in deep slumber! Ms. Alia Bhat, Bollywood Star was said to be celebrating her birthday, at Juhu, Mumbai. As if day time and evenings are not sufficient for parties, this diva arranged a birth day party at 2 a.m. And Media Houses drive their poor photographers to star-homes, to capture photos, as if daytime is not sufficient to hound both the photographers and the stars. And a said-to-be newbie photographer, named Mr. Deepak Hooda rushes in the crowd of other running photographers along and across the car of Mr. Shah Rukh Khan, and gets his foot trampled by the star's car. The star might have remembered the travails of Mr. Salman Khan who was involved in a car accident case stretching into several years, might have promptly woken up to the consequences, and to mollify/pacify/smoothen the severity of the incident, sent the injured photographer along with the star's body guard to Nanavati Hospital, and get him treated by his personal doctor.

Here is a news report which narrates the gentleness and kindness of Mr. Shah Rukh Khan:

Click here to go to http://www.bollywoodlife.com/news-gossip/shah-rukh-khan-has-a-piece-of-advice-for-the-photographer-who-got-hurt-by-his-car-watch-video/. Mr. Shah Rukh Khan is also reported to have rendered some advice on surgeries, and the need to undergo frequent checks-up.

“I am not a surgery junkie. I have had nine or ten. I have just had one. I still have to take my stitches off.” “...You spend as much time on the road as I do. Do regular checkups. All of you are running around…day before yesterday one boy…please be careful in front of cars. ...”

ybdonkey's views with no malice to anyone

So, let'us all be careful in front of cars. Stars need not be careful, while driving the cars. Mr. Khan might have adequately compensated not only the injured photographer, but also other photographers in the crowd to dilute the incident. Sehbas, Media, and the photographers.

Who these Media owners, and Media Editors, are driving the photographers and scribes to fall under the front wheels of star cars? That too at 2 a.m.? Can't this news item be collected next morning and reported with reasonable promptness?

We cannot strictly blame photographers in these episodes. This is because, photographers may lose their jobs and their livelihood, if they refuse to chase star cars. It is hightime, Media scribes and photographers form proper Trade Unions, work out a Code of Conduct and Ethics, and voluntarily abide by it. It is not that they do not have Trade Unions today, but somehow, they seem to be ineffective, where their role is direly needed.

It is also a punishment for Shah Rukh Khan's body guard, named Ravi, who had to work at night 2 a.m., and whose working hours might have been prolonged, as he has had to wait on the injured photographer in the hospital.

Is the gesture of Shri Shah Rukh Khan, a NOBLE GESTURE?

Ans: Difficult to say. A reader wrote in Letters to Editor of DeccanChronicle.Com, Vijayavada Edition, print edition dated 20.3.2017:

NOBLE GESTURE
"...Shah Rukh Khan's gesture towards a photographer who was injured by his car was remarkable. Nowadays hit and run is common. But SRK got down, and asked the man to sit in his car..."
Shri S.A. Nabi, Giddalur (letter writer).

ybrao-a-donkey's view:

Film stars may be experts in hit and run. But, the point at which accident took place is not suitable for a hit-and-run feat. Reasons: Ahead of Shah Rukh's car is the venue of Ms. Alia Bhat's Party. There may be some portico. There may be cars parked in front of the portico. Going ahead with top speed for an 'escape' is not possible. Reversing the car may also not be so easy, because there may be a compound wall, some garden plants, behind. There may be cars of more invitees behind on the pathway, who might have come with equal speed and halted behind his car.

Salman Khan, and Ambani instances

As far as I can remember, Mr. Salman Khan's two decade old hit-and-run accident case is different from that Shah Rukh Khan, in that, Salman's accident took place in a Mumbai Street at midnight when traffic was not much, and escape was possible. Readers can also remember a few years' old, one hit and run case of Ambani Son. In both the cases, drivers came out later, taking out the responsibility for the accident, and trying to relieve their masters from criminal liabilities.

Had the star not shown some empathy and compassion at that moment,

and left the place recklessly, there might have been a police complaint, and he would have been forced to go around police stations, advocates' offices, and courts, and even those things might have cost him a million bucks, apart from his missing some shootings. Thus, some common sense, some sixth sense, some prudence gained from experience, may have forced Shri Shah Rukh Khan to show some small mercies.

However, I do not wish to throw the entire blame on Shah Rukh Khan, as he is being chased.

My only feeling is he should have slowed down and applied his brakes, to prevent mishaps. By stopping a few minutes exposing himself to photographers, he would not have lost much. What he would have done inside the birthday pary? Eating and boozing? The blame should fall on the Media Houses and Media Bureau Chiefs who must have been exerting undue pressure on the photographers and scribes.

Ordinarily, we should not expect our bourgeoisie to show compassion and empathy.

It is against their very character. There is a Telugu verse of Vemana:

goDDu TAvu pituka kunDa kompOyina
panDla nUDa tannu pAla niDadu
lObhi vAni naDuga lAbhambu lEdayA
viSvadAbhi rAma vinura vEma

English gist, approx.: If we take a pot to a barren cow to milk it, it will not yield any milk. Instead, it will kick our teeth out. There is no use of asking misers.

How to prevent these unnecessary disdainful chores during nights in True Total Socialism?

Anyway, we can hope, in a totally and truly Socialist State, these bourgeoisie behaviors can be eliminated. Proletariat (Working Class) may have to decide what type of Film Industry they should have in a Truly Socialist country.

To continue adding / deleting / modifying. सशेष. ఇంకా ఉంది.

Thursday, August 18, 2016

796 Should Indian celebrities visit UK, USA, and the Europe, so too-frequently, get insulted, and then sulk about it?

We, Indians, seem to be excessively bogged down and enamoured with the United States. Every alternate day, our celebrities visit either UK or the United States. The visits may be more frequent, than their visits to their own native village in their Mother State. Both in United Kingdom, and the United States, Indians are looked down upon with disdain and scorn.

With or without invitations, why should we visit U.K., and the U.S., so too-frequently? Are we beggars? Are we street vendors? It is understandable if our engineers, scientists or surgeons visit the Western countries, because they are technologically more advanced, and there are unlimited things to learn from them in those scientific and technological fields. If our cameramen or film technicians visit those countries to learn new techniques, it is understandable. But, what do film stars learn there?

"Familiary breeds contempt." Why should our celebrities visit U.K., U.S.A., and Europe, so often, get disparaged or insulted and then sulk about such damnities?

.

Our film stars like Ms. Priyanka Chopra and Ms. Deepika Padukone may be getting some green backs today in Hollywood. But, how long that fake-glory will continue? Not that, they do not know the harsh realities. But they seem to want to hang on till they are necked out. Numerous opportunities are available to them in India. Not satisfied?

It is hightime, our celebrities start looking into the mirrors of their consciences and intellects, if at all, they have any.

TAILPIECE धूमकेतू తోకచుక్క

In spite of resistance by citizens, both the UPA2 Government and the NDA2 Government forced on multitude of INdians, the Unique ID card called ADHAR CARD, with Unique ID No., finger prints, iris scans. It is hightime, we think of using the last five digits of the UID Adhar No. as a suffix of Indian Names. Real names may temporarily be hidden, because they give uninvited revelation about a person's caste, religion, language, region most of which can cause embarassments and lead to fissiparous tensions.

To continue. सशेष. ఇంకా ఉంది.

Wednesday, February 3, 2016

659 Why did Ms. Asha Parikh approach Mr. Gadkari direct, instead of sending wads of currency notes?

There does not seem to be anything wrong, in Padma Award aspirants directly approaching concerned bureaucrats, leaders recommending or deciding on the conferment of Awards, or the leaders of the particular Region or State, direct with their applications or CVs or CDs.

This can at the most be called sakAma karma (action, seeking fruits of performances). Why should anybody in a Capitalist Society do nishkAma karmas (actions without expecting fruits and results)? Asha Parikh, the Veteran Hindi Star is right in approaching Mr. Nithin Gadkari, seeking his help in getting a Padma Bhushan.

The real rot does not lie in that. Our decay has reached a level, where aspirants send brokers with wads of currency, to canvass for them, and buy it by any means. Nobody knows the size of the India's Padma Market. Of course, Prices will vary depending on the level of the Award (Bharat Ratna 1, Padma Vibhushan 2, Padma Bhushan 3, Padma Shri 4, Padma Shri being the lowest in the ladder).

Are Foreign Investments through Mauritius, Dubai and Singapore welcome? Electronic Money Transfers will not be allowed. Correct!

Will there be concessions for God Persons and Spiritual Gurus? Or the Telugu proverb "ekkaDainA bAvE kAni, vanga tOTalO bAva kAdu" will apply? Here is an anecdote which explains the background of this Telugu proverb. In Telugu lAnguage, an elder sister's husband is called "bAva". (Difference between brother-in-law and bAva is: Brother-in-law of the English language does not make any distinction between two brothers-in-law in age or respectability. For example, English language does not make any distinction between an elder-sister's husband, and an younger sister's husband. But Telugu language aims at mathematical exactitude and fineness of measurements in the meanings of words. bAva, an elder-sister's husband denotes greater respectability, whereas "maridi" an younger-sister's husband indicates, an younger age, less respectability, but more affection. These distinctions will be discussed in another blog post. Maridi is expected to show ample respect to his bAva. But this does not happen in brinjal gardens.

Back to the story of "ekkaDainA bAvE kAni, vanga tOTalO bAva kAdu" (meaning: Anywhere a brother-in-law, but not a brother-in-law in a brinjal garden). A bAva went to his (bAva-maridi= wife's younger brother) maridi's brinjal field, to see his maridi (also maradi). After the exchange of usual affections and courtesies, the bAva went back, empty handed. The maridi has not gifted any brinjals to his bAva either out of affection or respect. (Here, we should remember Karl Marx's saying: All human Relationships are pecuniary, monetary, financial). When the bAva returned home empty-handed, his wife (elder sister "akka" of our brinjal-garden owner) asked her husband (bAva): "Where are the brinjals?" . I am waiting for them to make a curry. The husband wearily replied: "Where are the brinjals? ekkaDainA bAvE kAni vanga tOTalO kAdu. Don't you know this proverb?". The akka became silent.

Click to go to ndtv.com/india-news, which reports a disclosure by Mr. Nithin Gadkari, India's Transport Minister 2014-16.

"(We) receive so many letters for Padmashree and Padma Bhushan recommendations. I have sent around thousand recommendations until now,"

"...One actress met me, she has turned old... Asha Parekh. She came to meet me in Mumbai. The lift to my residence was not working, she climbed up 12 floors. I felt very bad and asked her why she took the trouble. She said I have received Padmashree, Nitinji, now I want Padma Bhushan. I said you have received a Padmashree, it is like Padma Bhushan. She said no, ..."

ybrao-a-donkey's humble comments. वैबीराव एक गधे के विनम्र राय . వైబీరావ్ గాడిద వినమ్ర వాణి. You have every right to differ with me. I respect your right. आपको मेरे मत से भिन्न राय रखने के संपूर्ण हक है। मै उस अधिकार को परिपूर्ण रूप से गौरव देता हुँ. మీకు, మీ భిన్నమైన అభిప్రాయాన్ని కలిగిఉండే సంపూర్ణ హక్కు ఉంది. దానిని ఎంతో నేను గౌరవిస్తాను. However, pl. examine this donkey's views also. परन्तु एस गधे के दृष्टिकोण को भी अनुशीलन कीजिये. కానీ ఈ గాడిద దృష్టికోణాన్ని కూడ ఓర చూపుతో కంటజూడుమీ, క్రీగంట జూడమీ.

I do not want to cast any aspersions on Mr. Gadkari, though in his previous incarnation of BJP President, he was made to quit his post, on allegations of some corruption. Of course, the politicians expect, and it is also true, that the memory of People is poor. Hence, what I write here may or may not apply to Mr. Gadkari's thousand recommendations for Padma Awards. There are 29 States in India, and about 650 Districts. Applications for Padma Awards may be recommended from any of these 650 Districts and 29 States, not to speak of Indian Embassies and Consulates Abroad. Probably even Foreign Embassies and Consulates operating in India can also probably put through their recommendations. Can apply to anybody, some or all.

Even if Rs. 10,000 is charged for forwarding an application with no guarantee of success, for 1000 applications, the aggregate will come to Rs. 1 crore (10 million). Suppose, a bargain is struck, with a guarantee of success, and if at least a million Rupees are charged for that particular case, and if a political leader succeeds in getting, say, 10 awards in his quota, the Marginal Revenue will be another Rupees 10 million. Total Revenue will be Rs. 20 million.

The mistake done by Ms. Asha Parikh is, she approached directly, climbing stairs of 12 floors. She ought to have sent wads of currency notes, not necessarily to Mr. Gadkari, to the right person who is an "ande vEsina cEyi" (A Telugu idiom) in lobbying for awards.

Meaning of the Telugu idiom "ande vEsina cEyi" = Hand which is embellished with a gold or diamond studded gold bracelet. This Telugu gold/silver ornament "ande" can be used to adorn either wrists or legs. cEyi= "hand".

Even in the 20th Century, it was a custom in Andhra Pradesh (probably throughout South India), to reward people with "ande"s and en-bangle their hands with "suvarNa ghanTA kankaNams" (gold studded wrist braclets or a sort of bangles with hollow-but-large girth, with interlaced precious stones). The suvarNa ghanTA kankaNams, artists, poets and scholars used to conspicuously demonstrate and exhibit, to show-case their merits.

Back to Mr. Gadkari's quote that Ms. Asha Parikh climbed 12 floors of stairs to reach him at his Residence in Mumbai, as lift was not working. I am unable to convince myself that Mr. Gadkari would have climbed 12 floors on foot to reach his home, if lift was not working. My understanding, --may be erroneous-- is , that there will be a separate lift for a VVIP politician like him which will be kept in a working condition. He ought to have requested her to use that Special VVIP Lift, and instructed the Operator of that Lift over phone to allow Ms. Parikh to use it. It is the way to honor a Senior Artist.

The non-working lift may be for hoi pollois to dissuade them from coming up. We should appreciate Ms. Asha Parikh's stamina, and sincerity in climbing stairs to 12 floors.

About "Padma Awards" in Telangana and Andhra Pradesh States, we shall take up in a separate blog post.

To continue and revise this, with more proof.. सशेष. సశేషం.

Wednesday, August 12, 2015

560 Part 1: Are filmi Capitalists afraid of anybody in this world? भाग १: क्या फिल्मी पुंजीदार, इस जगत में किसी से डरते ? భాగం 1: మన సినిమా పెట్టుబడిదారులకి ఎవరి భయమైనా ఉంటుందా.

Capitalists are not afraid of anybody. Even Prime Ministers and Presidents are afraid of Capitalists. How can filmi Capitalists be an exception? How can filmi music be an exception? The million dollar question is how to redeem our musicians who have been rendered bonded laborers by the Filmi Capitalists? हमारे पुंजीदारों को किसी के फिकर नहीं है। सभी देशों के प्रधान मंत्रियों, अध्यक्षों पूंजीदारों से डरते हैं, और उनको स्वागत करते हैं, उसको सलाम करते हैं। फिल्मी पुंजीदार, विश्व और भारतीय महा पुंजीदारों से भिन्न कैसा रहते हैं। यह कभी भी नहीं होगा। मिलियन् डालर प्रश्न यह है कि, हमारे संगीतज्ञ जिन को फिल्मी दुनिया आपने जीवित काल गुलाम बना लिया है, उन महा कळाकारों को कैसा छुडाना। పెట్టుబడి దారులు ఎవరికీ భయపడరు. దేశాధ్యక్షులు, ప్రధాన మంత్రులే పెట్టుబడిదారులకి భయపడతారు, వాళ్ళకి స్వాగత సత్కారాలు చేసి వాళ్ళకి అడుగులకి మడుగులొత్తుతారు. ఇంక ఫిల్మీ పెట్టుబడిదారులు మినహాయింపులుగా ఉంటారని ఎలా అనుకోటం. మిలియన్ డాలర్ల ప్రశ్న ఏమిటంటే, పెట్టుబడిదారులకి జీవితకాలపు బానిసలుగా మారిన మన సంగీతజ్ఞులను, కళాకారులను ఎలా విడిపించుకోటం?

From Sanskrit Music Treatise "SangIta mArtAnDam". संगीत मार्तांड नामक एक संस्कृत ग्रंथ से। సంగీత మార్తాండం అనే సంస్కృత గ్రంధం నుండి.

taurya trikam tALa hInam cAlayEt purushAdhamaha
sa pApI narakam ghOram ASu gachchati sa anvayaha.

తౌర్య త్రికం తాళ హీనం చాలయేత పురుషాధమః

సపాపీ నరకం ఘోరమ్ ఆశు గఛ్ఛతి సా అన్వయః||

तौर्य त्रिकं ताळ हीनं चालयेत पुरुषाधमः
सपापी नरकं घोरम आशु गछ्छति सा अन्वयः।।

Taurya trikam means the trinity of vocal singing, instrumental accompaniment, and dance. tALa hInam means : without rhythm. cAlayEt: if a person runs. purushAdhamaha: the lowest of the humans.

sa pApI : He is a sinner. ghOram narakam ASu gachchati: He will go to hell fast. sa anvyayaha : along with his clan.

तौर्य त्रिक माने गान, वाद्य, नृत्य। ताळ हीनं माने बिना लया। चालयेत पुरुषाधमः माने नीच मानव जो बगर लय, संगीत को चलाता है वह मानव।

स पापी : अघ और किल्बिष मलिन भरित दुष्ट। घोरम नरकम आशु गछ्छति माने, तुरन्तु वह दुर्भर यम लोक जायेगा। सा अन्वयः माने, उसके पुत्र, पौत्र, वंश सहित।

తౌర్య త్రికాలంటే నృత్య, గాన, వాద్య భరితమైన సంగీతం. ఇలాంటి మూడిటితో కూడిన సంగీతాన్ని లయలేకుండా నడిపే నీచమానవుడు ఘోర పాపి. వాడు భయంకర నరకానికి, తన వంశంతో సహా వేగంగా పోతాడు.

ybrao-a-donkey's humble views. I shall not insist that you agree with me. वैबीराव एक गधे के विनम्र वचन. आप मुझ से सहमत होने के निर्बंध नहीं है। వైబీరావు గాడిద వినమ్ర అభిప్రాయాలు. నాతో ఏకీభవించమని మిమ్ములను వత్తిడి చేయను

Extreme threats do not really bring compliance. अति तीव्र ढंग से डराने से या धमकाने से फायिदा क्या होगा? कुछ नहीं होगा। అతి తీవ్రమైన మాటలతో బెదిరించి ప్రయోజనమేమిటి ?

It is true that music gets embellished and sweetened with rhythm. लया से संगीत को अलंकारिकता और माधुर्य मिलेगा, यह सत्य है। లయతో సంగీతానికి గొప్ప అలంకారికత మరియు మాధుర్యము వస్తుంది.

But then, what is the use of threatening? जब तो, तीव्र वचनों से डराने से या धमकाने से लाभ के जगह पर नष्ट होगा। అయితే బెదిరించి ప్రయోజనం ఏమిటి? అతిగా బెదిరిస్తే లాభం స్థానంలో నష్టం వస్తుంది.

Qustion, सवाल, ప్రశ్న:
You are seeing the type of music we are getting in our film world, hollywood, bollywood, tollywood, kollywood, all types of woods. Do you find in today's film songs any melody, rhythm, sweetness in today's film music? Do threats like fearful hell will really frighten our Capitalists, and their slave Musicians? This Capitalist world is not afraid of anybody in Heaven, Earth, and the Nether world, including the consumers (in case of films it is the audience and the spectators).

आज के विश्व में आप हालीवुड, बालीवुड, कालीवुड, टालीवुड, जैसे जंग्लियों में, आप कई फिल्मों को देख रहे है ना? उन में आप कभी भी, कहाँ भी, शृती, या लया, या माधुर्य को देख सकते क्या? भयानक नरक जैसे शोच उनको कभी भी नहीं मन में नहीं आयेगा। हमारे पूंजीदार मालिक, और उनके दास संगीतज्ञ को इस जगत में किसके डर भी नही रहता। आर्धिक शास्त्र कहता है कि पूंजीदारों को विनियोगदार ड़र अवश्य रहता है, लेकिन वास्तव प्रपंच में यह नहीं दिख रहा है।

ఇపుడు హాలీవుడ్ లో, బాలీవుడ్ లో, టాలీ వుడ్ లో, కాలీ వుడ్ లో, అన్ని రకాల వుడ్లల్లో వస్తున్న సినిమాలను మీరు చూస్తున్నారు కదా. వాటిల్లో ఎక్కడైనా సరియైన శృతి గానీ, లయగానీ, మాధుర్యము గానీ ఉంటున్నాయా? భయంకర నరకం వంటి బెదిరింపులు పెట్టుబడిదారులను, వారికి దాసులైన మన సంగీతజ్ఞులను భయపెట్తాయా? ఈ పెట్టుబడి దారీ ప్రపంచానికి వినియోగదారుతో సహా (సినిమాల విషయంలో ప్రేక్షకులు) ఎవరన్నా భయం లేదు.

Answer जवाब జవాబు

In my mother tongue Telugu, there is a proverb: gongaLi lO tinTU ventrukalu lekka peTTukOTam enduku? Approximate meaning: Why count the number of hair(s), while dining on a torn woolen carpet? Threads of wool may fall on the food. No use of regrets, when we use a particular environment which either we have to change or stop fault-finding. मेरे मातृभाष तॆलुगु में एक लोकोक्ति है कि-- गॊंगळि लो तिंटू वॆंट्रुकलु लॆक्क पॆट्टुकोटं ऎंदुकु. माने-- फटे हुए कंबल (गलीचा, दरी) में खाने के समय पर बालों को गिनने से फाइदा नहीं रहेगा। గొంగళిలో తింటూ వెంట్రుకలు లెక్క పెట్టుకోటం ఎందుకు? (To continue. सशेष. ఇంకా కొనసాగించాలి.)

Sunday, May 10, 2015

505 Ms. Raunat, kindly also speak out loudly that Lady character actresses should get good pay cheques like heroines? रौनतै जी, आप नटियों को समान पे चॆक् के बारे में भी भाषण कीजिये రౌనత్ గారూ, క్యారెక్టర్ నటీమణులకు మంచి పే చెక్కులు రావాలని కూడ గర్జించండి.

"...Few people are trying, like me. It is still a very, very male-dominated industry and yes hopefully, at some point, it will be equal and I am going to make sure that happens..."

कम लोग, मेरी जैसी, कोशिश कर रही हैं। यह अभी भी, एक बहुत बहुत पूरुषाधिक्य उद्योग है, और उम्मीद है कि, कुछ समय पर, वह समान होता, और मै उसको होने के लिये, मै दृढ निश्चित करूँगी।

నాలాటి కొద్దిమంది మాత్రమే ప్రయత్నిస్తున్నారు. ఇది ఇంకా చాలా చాలా పురుషాధిక్య పరిశ్రమ, మరియు, ఆశావహంగా, ఏదో ఒక సమయంలో, అది సమానమవుతుంది, మరియు అది జరిగేలా నేను గట్టిగా ప్రయత్నించబోతున్నాను.

ybrao-a-donkey's humble perceptions वैबीराव गधे के विनम्र अनुशीलनाएँ और भावनाएँ వైబీరావు గాడిద వినమ్ర అభిప్రాయాలు

Her trying to get equal remuneration with men actors, is welcome. She is silent about Lady actresses playing character roles and non-glamor roles getting reasonably good remuneration (though not equal to that of a heroine). There should be explainable proportional relation between what a heroine gets and what other female actors, female asst. directors etc., and technicians get. Sometimes, heroines get more than the film directors. Will Ms. Raunat fight for every female participant in the industry?

पुरुषों के समान वेतन पाने के लिये सुश्री कंगना रौनतजी कोशिश करना , स्वागत है। मगर, वे फिल्मों मे अन्य महिळा क्यारॆक्टर याक्टर, और गैर तोना रंगीन आकर्षण नहीं रहनेवाले भागों में पात्र लेने वालियों के हीरोयिनों से समान नहीं, कम से कम, न्यायपूर्वक वेतनों के बारे में क्यों गुंगी मूकी है ? हीरोयिनों के वेतनों और अन्य महिला नटी, सहायक डैरक्टर, टॆक्नीषीयन, वगैरों की वेतनों मध्य़ कुछ न कुछ विवरणयोग्य, सुधर्मी निष्पत्ती तो रहना है न ? कभी कभी हीरोयन्से अपनी डैरक्टरों से भी ज्यादा वेतन पाती है। क्या रौनतजी, फिल्म उद्योग के सभी महिला कलाकारों के हक्कों के लिये संघर्ष करेगी ?

పురుష హీరోలతో సమాన వేతనం తనకు రావాలని కు. కంగనా రౌనత్ గారు కోరటం, స్వాగతమే . కానీ, మరి సినిమాల్లో బలమైన కేరక్టర్ వేషాలు, గైర్ గ్లామర్ వేషాలు వేసే నటీమణుల, మరియు జూనియర్ మహిళా ఆర్టిస్టుల వేతనాల గురించి రౌనత్ గారు మూగపోయారేమిటి ? సహాయక నటీమణులే కాక, మహిళా అసిస్టెంట్ డైరక్టర్లు , మేకప్ కళాకారులు, స్వీపర్లు, సహనర్తకులు (హీరో హీరోయిన్లు గంతులేస్తుంటే, ప్రక్కన నిజాయితీగా నృత్యాలు చేసేవాళ్ళు), టైలర్లు, టెక్నీషియన్లు వాళ్ళందరి సంగతి ఏమిటి ? వారికై కూడ కంగనా గారు పోరాడుతారా ?

(To continue & revise as may be necessary. सशेष. पुनः संस्करण करने का है। ఇంకా ఉంది. తిరగవ్రాయాలి కూడాను. సూచనలకు స్వాగతం.)

Wednesday, April 1, 2015

462 Are All India BJP leaders viewing the developments in Telangana and Residual A.P. as a Bollywood film?

Nitin Gadkari's words are foolish. नितीन गडकारी के बातें मूर्खो के दिख रहे हैं నితీన్ గడ్కారీ గారి మాటలు మూర్ఖంగా కనిపిస్తున్నాయి

Mr. Nitin Gadkari is India's 2015 Roads Minister. Former President of BJP. Said to be one of the think-tanks of BJP and confidants of Mr. Narendra Modi, of course after Mr. Arun Jaitley and Manohar Parrikar.

नितीन गड्कारी महोदय भारत के २०१५ सडक मंत्री । बिजेपी के भूतपूर्व अध्यक्ष महाशय. बीजॆपी के और मुख्यतः श्री नरेंद्र मोडी के प्रबुध्ध मंडल में एक (श्री अरुण जैट्ली और श्री मनोहर पारीकर के बाद), प्रतीत है।

శ్రీ నితీన్ గడ్కారీ మహోదయుల వారు భారత్ కు ౨౦౧౫ రోడ్ల మంత్రి. బిజేపీ భూతపూర్వ అధ్యక్షులు. బిజేపీకి , ముఖ్యంగా శ్రీ నరేంద్ర మోడీకి ఆంతరంగిక యోచనా మండలిలో ఒకరుగా (శ్రీ అరుణ్ జైట్లీ విత్త మంత్రి, మరియు శ్రీ మనోహర్ పారీకర్ రక్షా మంత్రి ల తరువాతే) ప్రతీతులు.

Knowledgeable readers know that Telangana State Govt. of K.C.R., K.T.R., Harish Rao, Kavita - family, and their cronies have unleashed a vindictive oppressive rule against the people of Residual Andhra Pradesh who come and go to Hyderabad, because it was their combined State Capital and is to continue so for another ten years. As a part of that cruel action plan of theirs, they have started levying heavy road taxes on the buses plying from the Districts of Residual A.P. As per their unilateral orders, bus operators registered in A.P., and plying to Hyderabad to carry people have to pay as much as Rs.176,000 per bus, per month. The matter, is of course, sub judice. We shall not, therefore, touch upon the justification or unjustification in a strictly legal view of their action.

The bus operators, will ultimately pass on the burden to the unfortunate people of Residual Andhra Pradesh who travel to Hyderabad for numerous purposes such as small jobs, visiting native places for festivals etc., apart from visiting the Offices of the A.P. State Government in Hyderabad as common Capital.

What Mr. Nitin Gadkari is reported to have said as per media:

"The decision to impose entry tax on AP vehicles entering into TS is within the jurisdiction of TRS Government. Centre can't interfere in the decision..."

ybrao-a-donkey's humble views वैबीराव गधे के विनम्र टिप्पणी వైబీరావు గాడిద వ్యాఖ్యలు

What does Centre and BJP know then? Dividing people and States unjustly? Will they like to see the whole thing as Bollywood film? अभी केंद्रीय सरकार और बीजेपी को क्या पता है ? सिर्फ समैक्य आंध्र प्रदेश के लोग और राज्य को अनुचित और अधर्मी पध्धती में विभजन करना, और जगडे को बढा कर, बालीवूड फिल्म देखना ? కేంద్ర ప్రభుత్వానికి మరియు ఆఖిల భారత బిజెపీ కి ఏమి తెలుసు ? స్వల్ప విభేదాలు ఉన్న రెండు ఉప ప్రాంతాల మధ్య జగడాలను పెంచి, ప్రజలను మరియు రాష్ట్రాలను అనుచితంగా, మరియు అధర్మంగా విభజించి పాలించటమా ? జరుగుతున్న జగడాన్ని బాలీవుడ్ సినిమా చూస్తున్నట్లుగా చూడటమా.

(ఈ విషయంలో ఇపుడు కాంగ్రెస్ ను తప్పు పట్టి ప్రయోజనం లేదు. ఎందుకంటే ఆపార్టీ అవసాన దశలో ఉంది).

1. I do not wish to say that Mr. Gadkari is a fool. His words are foolish.

Reasons:

1. The increase made by Telangana Government hurts not only Residual A.P. Bus Operators, but also the COMMON PEOPLE who have to pay the increased fares, who travel under a compulsion to earn their livelihoods.

2. Telangana registered Bus Operators will not pay this tax, and they will have a competitive advantage. In other words KCR & Co. wants AP bus operators to close down their shops, and that Telangana Bus operators to have a monopoly on buses plying to A.P.

3. All India B.J.P. and Congress have collusively and conspiratarily divided the United Andhra Pradesh for their selfish reasons. Mr. Gadkari was also a part of that collusion.

4. Foreseeing the evil motives of KCR & Co., the people of Residual Andhra Pradesh wanted Hyderabad to be a Union Territory and common Capital for a few years till Residual A.P. settles with new Capital. The BJP-Congress conspirators did not allow the just demand of Union Territory status to Hyderabad, but condescended to allow Hyderabad to be a common Capital for 10 years.

5. KCR & Co. does not want to wait even these ten years! They want to drive out the people of Residual A.P. from Hyderabad by making their entry and existence impossible.   We can compare the conditions which KCR & Co. is creating to the conditions which Pakisthan has created for Hindus in West Pakisthan. The idea of KCR & Co. is that: the people of Residual A.P. who live in Hyderabad should be forced to sell their homes and flee back to Andhra like the Hindu refugees of the 1947 partition. Just as Pakisthani Muslimis occupied the homes abandoned by Pakisthani Hindus, KCR & Co. and its supporting builder mafia want to buy properties of Residual AP people cheaply, or if possible, occupy them.

6. Govt. of India appointed a common Governor for both the States, to clear the apprehensions in the minds of the people of the Residual A.P.   But the common Governor proved to be a silent spectator. Common Governor should have been proactive in preventing these oppressive actions of Telangana Government. Unfortunately, he is busy visiting temples. The Central Home Ministry who has to oversee all the arrangements to protect the migrants in Hyderabad does nothing concrete, in action. That part, we shall take up in a separate blog.

7. Mr. Gadkari should be able to visualise future.   People from all over India go to Mumbai and try to eke out their livelihood there. Suppose the Maharashtra Government levy heavy road tax on buses plied by Non-Mumbai operators? Mr. Gadkari as he is from Maharashtra, he will love it. But how does Mr. Nitish Kumar, Mr. Shivraj Singh Chauhan, Ms. Vasundhara Raje think of it?

One must have an All India look. If taxation on buses is a State subject, an exemption can be given to inter-State buses. Or some other preventive process to reduce oppressive behaviors can be found.    Centre, is already eager to use ordinances, bye-passing the Parliament. Centre can to start with, issue an immediate ordinance, followed by a bill in the next Session of Parliament.

All India BJP leaders should realise that providing justice is more important than, stabilising BJP in Telangana.

TAIL PIECE

Mr. Gadkari has begged the People of Telangana to elect a BJP Government in next Elections.

Justifying the cruel-vindictive high road tax levied by Telangana Government, stating that Road Tax is a State subject, Mr. Gadkari is trying to win support of Telangana people.

Suppose Gadkari comes to Residual Andhra Pradesh, what will he say? He will not raise this road tax issue. He will say that there are strong bonds between Satavahanas of Paithan (Prathishtanapuram in Vidarbha) and Satavahanas of Dhanyakatakam (Dharanikota- Amaravati) AP's new Capital.

In Telugu language, we have a proverb: E roti daggara A pATa pADaTam. Approx. English meaning: In old days when there were no rice mills and flour mills, paddy and grain used to be dehusked and pounded with pestles in mortars. Women used assist one another in the village, either freely as neighbourhood help or work for labour charges.   Whatever it was, while pounding grain with pestles women used to sing folk songs. Sometimes, these songs used to differ from one home to another or from one street to another. Women used to change their songs and tunes wherever they went depending on the houses, streets, localities, castes etc.

Political leaders are very adept in this. In 2014 General Elections, when Mr. Narendra Modi visited Tirupati and Guntur in Residual Andhra Pradesh, he said that Andhra Pradesh was made orphan by the Congress Government, and promised the voters of Residual A.P., everything under the sky.

(To continue. सशेष. ఇంకా ఉంది.)

Tuesday, November 4, 2014

390 Will there be time left to bring back the black money stashed abroad?

390 विदेशों में छिपा हुआ काला धन को भारत को वापस मंगाने के लिये समय कहाँ से मिलेगा ?
390 విదేశాల్లో దాచబడిన నల్లడబ్బును భారత్ కు వెనక్కి తేవటానికి సమయం సరిపోతుందా ?

We have gone to Mumbai to inaugurate an Ambany promoted hospital. There we found Bollywood stars, We spent our time chatting and allowing to be selfied with them. Even if we go back to Delhi, by jet planes we shall be damn tired. Where will be the time to examine the files relating to problems involved in bringing back the money stashed in tax havens abroad?

हम गये हैं मुंबई, अंबानी निर्मित एक दवाखाने को प्रारंभ करने के लिये। वहाँ क्या हुआँ ? बालीवुड एक्टरे श्रधधा कपूर और आदित्या कपूर के दर्शन भाग्य मिला। उस से चाट करने या सॆल्फीस लेने में समय बित गया। जॆट प्लेनों पर दिल्ली वापस गये तो भी, शरीर थक जायेगा। विदेशों में छिपे हुए काले धन को भारत वापस लाने के लक्ष्य साधना में सताने वाले समस्याओं के फैलों को देखने के लिये समय कब मिलेगा ?

మనం ముంబాయి వెళ్ళిందేమో అంబానీలు ప్రారంభించిన ఒక వైద్యశాలలను ప్రారంభించటానికి. అక్కడేమో బాలీవుడ్ తారలు శ్రధ్ధాకపూర్ ను మరియు ఆదిత్యా కపూర్ ను చూశాము. వారితో ముచ్చట్లాడటంలోనూ, సెల్ఫీలు దిగటంలోనూ సమయమంతా గడిచి పోయింది. మనం ఎంత జెట్ విమానంలో ప్రయాణించినా, ఢిల్లీకి వెనక్కి వెళ్ళేసరికి శరీరం అలిసిపోతుంది. విశ్రాంతి కావాలంటుంది. ఇంక, విదేశాలలో దాచబడిన నల్లడబ్బును భారత్ కు వెనక్కి తెప్పించాలనే మహా ఘన లక్ష్యాన్ని సాధించటంలో ఎదురయ్యే సమస్యల దస్త్రాలను పరిశీలించటానికి సమయం ఎప్పుడు చిక్కుతుంది ?

People elected us for five years. But we convince ourselves that we are going to stay in power for another 15 years. लोग हमारे को पाँच साल के लिये सत्ते में लाये। परन्तु हम, अपने को १५ साल तक सत्ते में रहते, विश्वास में रहते रहते हैं। ప్రజలు మనని ఎన్నుకున్నదేమో ఐదేళ్ళకి, కానీ మనమేమో ఇంకా ౧౫ ఏళ్ళు అధికారంలో ఉండబోతున్నామని మనల్ని మనమే నమ్మించుకుంటున్నాము.

Germany and Switzerland alone are not the countries, where the black and ill-gotten money of India remains stashed. There are more than 30 other countries which are adjuncts or dependencies of the European and North American giants like Britain, France, U.S.A.

सिर्फ जर्मनी और स्विट्जरलांड नहीं, जिस में भारत के काला धन छिपा हुआ है। ३० से ज्यादा अलग देश हैं जिस के संरक्षक बडे यूरोपियन या अमेरिकन राष्ट्र जैसे ब्रिटन, फ्रान्स, अमेरिका, ऎसियन् कंट्रीस जैसे हांग कांंग, सिंगपूर, आदी सभी हैं।

భారత్ యొక్క నల్లడబ్బు, అవినీతి డబ్బు కేవలం జర్మనీ, స్విట్జర్లాండు లో మాత్రమే దాచబడి లేవు. యూరప్, అమెరికా, ఆసియా ఖండాలలోని ముఫ్ఫయి పైగా దేశాలలో ఈనల్లడబ్బు దాచబడి ఉంది. బ్రిటన్, ఫ్రాన్స్, అమెరికా, హాంగ్ కాంగ్, సింగపూర్, ల రక్షణలో ఉండే పలు దీవులు, సామాన్యులకు పరిచయం లేని పేర్లు కలిగినవి ఉన్నాయి.

Some names कुछ नाम కొన్ని పేర్లు

Delaware State in U.S.A. डेलावेर राज्य, अमॆरिका में,
Gibralter जिब्राल्टर జిబ్రాల్టర్
Belgium बॆल्जियम బెల్జియం
Netherlands (also called Holland) नॆदर् लांड्स (हालॆंड) నెదర్లాండ్స్ అనే హాలెండ్
Luxembourg लग्जॆंबर्ग లగ్జెంబర్గ్
Channel Islands छानॆल ऐलांड्स చానెల్ ఐలాండ్స్
Jersey जॆर्सी జెర్సీ
Isle of Man ऐल् आफ मान् ఐల్ ఆఫ్ మాన్
Cayman Islands केमान ऐलांड्स కేమాన్ ఐలాండ్స్
Bermuda बर्मूडा బర్మూడా
British Virgin Islands ब्रिटीष वर्जिन ऐलांड्स బ్రిటీష్ వర్జిన్ ఐలాండ్స్
Turks टर्क्स టర్క్స్
Caikos कैकोस కైకోస్
Ireland ऐर्लांड् ఐర్లాండ్
Liechtenstein लीच टॆन स्टीन లీచ్ టెన్ స్టీన్
Hongkong हांग कांग హాంగ్ కాంగ్
Singapore सिंगपूर సింగపూర్
Bahamas बहमास బహమాస్
Dubai डुबाय డుబాయ్
Uruguay उरुग्वे ఉరుగ్వే
Panama पनामा పనామా
Mauritius मारिषस మారిషస్

Many countries including GREAT BRITAIN cannot survive if the black money is repatriated to the concerned countries. ग्रेट ब्रिटन सहित कई देश, काले धन को वापस भेजे तो, नहीं जी सकते। నల్ల ధనాన్ని వెనక్కి పంపిస్తే గ్రేట్ బ్రిటన్ తో సహా పలు దేశాలు చితికిపోతాయి, బ్రతకలేవు.

Hence the black money sheltering tax havens, will not under any circumstances allow the funds to be sent back to their mother countries. अतः, इन देश, , किसी परिस्थितियों में भी, काले धन को वापस नहीं भेजते। కనుక అవి నల్ల డబ్బును, అవినీతి డబ్బును ఎట్టి పరిస్థితులలోనూ వెనక్కి పంపవు.

They may express their willingness to give names, but they will create all troubles when it comes to remitting back the money to India. वे नामों देने केलिये इछ्छा व्यक्त करते रहते हैँ, परन्तु जब भारत को धन वापस भेजने के अवसर आये तो, वे कठिनाई और मुशीबत क्रियेट करते हैं। ఈ దేశాల వాళ్ళు ఖాతాదారుల పేర్లను ఇవ్వటానికి ముందుకు వచ్చినా, భారత్ కు ధనం పంపించే సమయం వచ్చే సమయం వచ్చేసరికి, రకరకాల కష్టాలను సృష్టించుతారు.

Today's Sanskrit verse आज के संस्कृत श्लोक ఈనాటి శ్లోకం

Rathsyaikam cakram bhujaganamitA sapta turagAha
nirAlambO mArgaha caraNa vikalaha sAradhirapi
raviryat EvAntam prati dinam apArasya nabhasaha
kriyA siddhih satvE bhavati mahatAn nOpakaraNE.

रथस्यैकं चक्रं भुजगयमिता सप्त तुरगाः
निरालंबो मार्गः चरणविकलः सारथिरपि
रविर्यात्येवान्तं प्रतिदिनमपारस्य नभसः
क्रियासिद्धिः सत्त्वे भवति महतां नोपकरणे.

రధస్యైకం చక్రం భుజగనమితా సప్త తురగాహ
నిరాలంబో మార్గః చరణ వికలః సారధిరపి
రవిర్ యాత్యేవాంతం ప్రతిదినమ్ అపారస్య నభసః
క్రియాసిధ్ధిః సత్వే భవతి మహతాం నోపకరణే.

VijEtavyA lankA caraNa taraNIyO jalanidhihi
vipakshO paulastyaha raNabhuvi sahAyAsca kapayaha
tathApi martyOm saha sakalam avadhIta rAkshasakulam
kriyAsiddhih satvE mahatAn nOpakaraNE.

विजेतव्या लङ्का चरण तरणीयो जलनिधिः
विपक्षो पौलत्स्यः रणभुवि सहायाश्च कपयः
तथापि मर्त्यो सः सकलमवधीत राक्षसकुलं
क्रियासिद्धिः सत्त्वे भवति महतां नोपकरणे.

విజేతవ్యా లంకా చరణ తరణీయో జలనిధిః
విపక్షో పౌలస్త్యః రణభువిస్ సహాయాశ్చ కపయః
తథాపి మర్త్యో సః సకలమ అవధీత్ రాక్షసకులం
క్రియాసిధ్ధిహ్ సత్వే భవతి మహతాం నోపకరణే.

To continue. सशेष। సశేషం.

Saturday, October 4, 2014

362 For a poor country like India, Bollywood films should not become wayside robberies

362 భారత్ వంటి పేద దేశాలకు బాలీవుడ్ సినిమాలు దారిదోపిడీలు కాకూడదు.
३६२ भारत जैसे गरीब देशों के लिये, बालीवुड फिल्म्स लूटमार नहीं बनना।

च्चांश, Topics for discussion, చర్చనీయాంశాలు: 362, బాలీవుడ్, बालीवुड, Bollywood

Hrithik Roshan's, Katrina Kaif film Bang Bang is said to have amassed Rs. 500 million in just first two days of its release. Experts believe that, Bang Bang will collect Rs. 1500 million and create a record.

హృతిక్ రోషన్ గారి, కత్రీనా కైఫ్ గారు నటించిన సినిమా బ్యాంగ్ బ్యాంగ్ విడుదలైన రెండు రోజులలోనే రూ. 50 కోట్లు వసూలు చేసిందట. త్వరలోనే రూ. 150 కోట్లు వసూలుచేసి కొత్త రికార్డు స్థాపిస్తుందిట.

रिपोर्टंस के अनुसार, हृतिक रोषन की फिल्म, कत्रीना कैफ अभिनय कृत फिल्म, बैंग बैंग सिर्फ दो दिनि में पचास करोड रूपये कमाया। थोडे दिन में ही एक सौ पचास करोड रूपये कमाते, मीडिया के अनुसार।

वैबीराव गधे का राय Perspective of ybrao a donkey వైబీరావు గాడిద దృష్టిలో
After the advent of computers and multimedia software, films can be produced today with as little as a million Rupees.

కంప్యూటర్లు, మల్టీమీడియా సాఫ్టువేర్లు, గ్రాఫిక్ లు వచ్చాక, ఇపుడు కేవలం పదిలక్షల రూపాయలతో కూడ సినిమా నిర్మాణం సాధ్యమయ్యింది.

कंप्यूटर्स,मल्टीमीडिया साफ्टवेर, ग्राफिक्स आविष्कार होने के बाद, अभी चित्र निर्माण आसान और सस्ता हो गया। अभी, ज्यादा से ज्यादे दस लाख रूपये से भी हम, एक फिल्म बना सकते ।

Why should Bollywood fellows invest millions of Rupees in making garbage like films and rob poor people of their hard earned daily wages, to recoup investments made?

బాలీవుడ్ వెధవలు, తాము వెర్రి వెంగళాయిలు గా మారి, కోట్లాది రూపాయలు మాఫియా ఫైనాన్సియర్ల వద్ద అప్పులు చేసుకుంటూ, చెత్త సినిమాలు తీసి, జనాలను వెర్రి వెంగళాయిలుగా మార్చటానికి ప్రయత్నిస్తూ, పేదల కష్టార్జితాన్ని దోచుకోటానికి ప్రయత్నించటం ఎంతవరకు న్యాయం?

बालीवुड मूर्ख, खुद मूर्ख बनकर, करोडों रूपये माफिया के पास उधार लेकर, कचरा फिल्मस क्यों बनाना, और जनता को मूर्ख बनाकर, गरीब लोगों के कष्टार्जित वित्त को लूटना, कैसे न्याय होगा ?

आज का वीडियो Today's video ఈరోజు వీడియో

North Indian Music's complex tune rAg aDAna. ఉత్తర భారత దేశ, సంక్లిష్ట రాగం, అడానా. उत्तर भारत देश, हिंदूस्थानी संगीत के, संक्लिष्ट राग अडाना।

The western notation for this composition can be seen at http://museyb.blogspot.com http://museyb.blogspot.com. దీని పాశ్చాత్య స్వర లిపిని నా మరొక బ్లాగ్ మ్యూజ్ వైబీ.బ్లాగ్ స్పాట్.కామ్ లో చూడవచ్చు. इस राग के पाश्चात्य स्वर लिपि को , मेरा ब्लाग हॆच टी टी पी म्यूज वैबी.ब्लागस्पाट.काम में देख सकते हैं।

ముఖ్య గమనిక
హిందూస్థానీ అడానా రాగానికి , కర్నాటక సంగీత అఠాణా రాగానికి తేడా గుర్తించటం అవసరం.
ఈ రెండు రాగాలూ ఒకదానితో మరొకటి సంబంధం లేనివి.
హిందూస్థానీ అడానా, కర్నాటక సంగీత కోణంలోంచి చూస్తే, ఇరవయి యవ మేళ కర్త నటభైరవి జన్యం గా భావించాల్సి ఉంటుంది. అంటే, సారమతి, నాగ గాంధారి, హంస వాహిని మొ|| రాగాల సోదర రాగం అవుతుంది, తప్ప కర్నాటక అఠాణాకి కాదు.

కర్నాటక అఠాణా రాగం, శంకరాభరణ జన్యం. అక్కడక్కడ కైశికి నిషాదం వాడినపుడు హరికాంభోజి లక్షణాలను చూపిస్తుంది.

హిందూస్థానీ అడాణా కోమల గాంధారాన్ని వాడితే (సాధారణ గాంధారం), స్ట్రాంగైన కర్నాటక అఠణా అంతర గాంధారాన్ని వాడుతుంది. హిందూస్థానీ అడాణా కోమల ధైవతాన్ని వాడితే (కర్నాటక శుధ్ధ ధైవతం) , కర్నాటక అఠాణా చతుశృతి ధైవతాన్ని వాడుతుంది. హిందూస్థానీ అడాణా కోమల నిషాదాన్ని (కైశికి నిషాదం) వాడితే, కర్నాటక అఠాణా స్ట్రాంగ్ అయిన కాకలీ నిషాదాన్ని వాడుతుంది.

కనుక రెండూ వేరే వేరే. ఇపుడు హిందూస్థానీ అడాణా వీడియోను మరొకసారి పరిశీలించండి. దీనిని హిందూస్థానీ దర్బారి కానడలాగా , హిందూస్థానీ ఆసావ్రీ, జౌన్ పురి ల లాగా వినపడకుండా చూడటానికి చాలా కష్టపడాల్సి వచ్చింది.

ఇంకా ఉంది. सशेष. To continue.

From Post Nos. 001 to 500

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Remaining 500 posts are at the bottom. మిగిలిన 500 పోస్టులు (501 to 1000) క్రింది భాగంలో ఉన్నాయి. बाकी ५०० पोस्ट् निम्न भाग में है।

501 to 1000 Post Nos. here.

Post Nos. 1 to 500 are at the top.
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