1001 News Roundup, Musings and Reflections

On 29th May 2017, we have studied the issue of creating a Special Category in Dadasaheb Phalke Academy Awards, titled 'International Acclaimed Actress Award', probably just for the purpose of granting the award to Ms. Priyanka Chopra. Then we have asked ourselves the key question on whether the Award Granting Institution wanted to pull some crowds for its Awards Distribution function, or whether the Actress herself has approached the Academy to seek an Award. Whatever may be the reason, it appeared as though both are going to benefit. The very next day of our blog post, i.e. the 30th May 2017, Ms. Priyanka Chopra, posted her picture depicting her meeting with the Prime Minister of India, Shri Narendra Modi in Berlin.

RELATED LINKS

Click here to go to http://www.ndtv.com/india-news/priyanka-chopra-and-pm-narendra-modi-met-in-berlin-see-pics-1705688.

Click here to go to https://mobile.twitter.com/priyankachopra/status/869465148737679360/photo/1

Click here to go http://problemsoftelugus.blogspot.com/search/label/300, which deals with Mr. Narendra Modi's Berlin visit of 2014.

Click here to go to http://www.business-standard.com/article/current-affairs/how-could-you-show-your-legs-in-front-of-pm-modi-trolls-to-priyanka-chopra-117053100214_1.html.

Some comments of the Netizens at the Twitter page of Ms. Priyanka Chopra are very interesting, because they show the intellectual level of Indians, who self-proclaim themselves as teachers of Bhagavad Gita to the world.

Names of the Netizens omitted.

Replying to @priyankachopra @narendramodi Big love.. 2 super heros of nation in one frame.

Salman Khan, Bollywood Hero: "Great".

You make India so proud you are truly Queen of India 💛💛💛

The gal makes the India proud with the man who is making India a better place. So proud of you PC ❤🙏

Personal views of ybrao-a-donkey, which are not intended to be imposed on others

It is not clear who sought the interview. Did Ms. Priyanka Chopra approach the Hon. Prime Minister (his Aids)? Or did the Hon. Prime Minister ask his Aids to check up where Ms. Priyanka Chopra is, and arrange an interview for her. Answers to this question are important because it is not unnatural for film actors to seek interviews with the Leaders of their country. But Presidents and Prime Ministers of countries taking more interest in meeting film actors may, sometimes, look odd. This is because Heads of States and Heads of Governments are believed to be hard-pressed for time, and they have hundreds of emergent and priority tasks to attend to, when compared to meeting an Actress.

If the actress herself has first approached the PM's Aids, seeking an interview with the PM, then it becomes a delicate question for the PM to deny it, though there is nothing wrong in saying 'no' because PMs and Presidents on a foreign tour may have very very tight schedule. Probably, Ms. Chopra, too might not have found fault with the denial. Anyway, Prime Minister has time in his hand to meet Film Heroines.

In newspapers, I have seen a report that some Netizens have trolled Ms. Priyanka Chopra for wearing a dress which showed her legs, before the Prime Minister. (Personally, I do not view this as an aberration). If there are dress codes for presenting oneself before Prime Ministers/ Prime Ministers, such codes will have to be informed to the persons seeking interviews. Then PM's Aids, should also keep some stocks of male and female dresses, to provide last minute help to unaware guests meeting the PM. Even temples, having dress codes, give wide publicity for their dress codes.

To come back, and continue adding / deleting / modifying. सशेष. ఇంకా ఉంది.

1000 Some Reflections on this World and India

Ms. Priyanka Chopra, Climbing Star from Bollywood to Hollywood, is entitled to her own ways, to make quick greenbacks, but why all this hullabaloo about conferring Dadasaheb Phalke Academy Awards to her? Dadasaheb Phalke was the Grand Old Man and the Pioneer of Indian Film Industry of the EARLY 20th Century. Government of India in 1969 constituted a 'Dadasaheb Phalke Award', the highest in the Indian Film World. Ms. Devika Rani, the heroine of the Indian Film Industry in its infancy was the first Recipient. Greats like Satyajit Ray, Shanta Ram, were among its recipients. Usually, this Award is delivered and received from the President of India, the Head of State. The latest recipient of the Award is Telugu Film Director K. Viswanath, who has produced many memorable off-the-beaten-track classical musical films. It appears that our Heroines and Heroes are not willing to wait till some of them get the coveted award from the Government of India. A parallel 'Dadasaheb Phalke Academy Awards' have been created to quench the thirst of the ambitious stars who have made big bucks in India or abroad, or both.

Who approaches whom for these Awards? Who pays whom for these Awards?

Indian Citizens know something about the traditional Official Dadasaheb Phalke Awards, announced and conferred by Government of India, as the Conferment of the Awards by President of India gets wide publicity both in Print and Electronic Media. But they know very little about the "Phalke Academy Awards". While this is so, a new category by name International Acclaimed Actress Award seems to have been introduced for accommodating the BollyHolly star Ms. Priyanka Chopra.

Did Ms. Priyanka Chopra approach the Academy for an Award? Has the Academy approached the actress on its own volition?

Ans: Not known.

Did Ms. Peecee donate any bucks to the Academy to induce them to introduce "International Acclaimed Actress" Award?

Ans: not known. Ordinarily, awards carry some citation, some cup/trophy/memento, and some cash. That means, the Academy has to incur some expense on these counts. Is Ms. Chopra reimbursing them their out of pocket expenses. Ans: Not known.

Is the Phalke Academy is so publicity crazy, and publicity starved, that it is compelled to invite Ms. Priyanka Chopra, so as to 'pull crowds' for their functions

Ans. May be.

Both Print Media and Electronic Media are giving so much publicity for this event. What proportion of it is paid News, and what proportion of it is free news?

Ans: Not known.

Related Links

Click here to go to: https://en.wikipedia.org/wiki/Dadasaheb_Phalke_Award

Click here to go to http://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/priyanka-chopra-to-be-honoured-with-dadasaheb-phalke-academy-award/articleshow/58889422.cms

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Do Yogis need Sofas, Carpets, AirConditioners, Curtains to console mourning family members of a martyr?

Ans: It appears so. For this question, this ybrao-a-donkey is incompetent to reply. Only the Chief Minister of Uttar Pradesh, who is a self-proclaimed Yogi, can reply to this question.

Related News Link

Click here to go to http://timesofindia.indiatimes.com/india/ac-sofa-carpet-put-up-at-slain-bsf-troopers-home-removed-after-yogis-visit/articleshow/58672836.cms

Click here to see the video at https://www.youtube.com/watch?v=JigqGpRm12A

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Today's Telugu verse

From Sumati Satakam, by 14th CE poet BaddenAmAtya.

సిరి తా వచ్చిన వచ్చును siri tA vaccina vaccunu
సలలితముగ నారికేళ సలిలము భంగిన్ salalitamuga nArikELa salilamu bhangin
సిరి తా పోయిన పోవును siri tA pOyina pOvunu
కరి మ్రింగిన వెలగపండు కరణిని సుమతీ! kari mringina velaga panDu karaNini sumatI !!

Approx. English gist: 1st line: When wealth comes, it comes,
2nd line: a la the water (juice) in a coconut fruit.
3rd line: When Wealth goes, it goes,
4th line: like the pulp in a stone apple fruit swallowed by an elephant.
Note: It is a 14th Century CE Deccan belief that when an elephant swallows a stone-apple, without breaking its stony epicarp-pericarp, it digests the fruit's pulp, and excretes a hollow fruit.

Purport-Discourse: When wealth comes it comes silently. When it leaves, it makes no noise. Everything takes place silently, as if it happens stealthily. So, the sofas , air conditioner, carpet, curtains, all have come and gone like 'siri'.

To come back and continue adding / deleting / modifying . सशेष. ఇంకా ఉంద.

972 Can a poor country like India afford to spend Rs. 10 billion on a single movie?

The eight day old Movie Bahubali-2 a Conclusion, is reported to have collected approx. Rs. 8 billion (Rs. 800 Crore) in its eight days life. Print News papers, TV Channels, internet pages are agog with predictions that it will collect Rs. 10 billion (Rs. 1,000 crore) shortly. During the last fortnight there is a big hullabaloo about the Greatness of the contents of Bahubali2 in Press Media, Electronic Media, and Net. It is said that honey-bees live 45 days. Average life span of a worker ant is about five weeks. While the Bahubali-1 Beginning was reported to have gathered big moolah in its first release, it is reported that the same film's second release in March 2017, received little attention and money. Virually with all the newspapers, TV channels, net pages, day-in day-out hammering out the merits of the Bahubali-2, it has become very difficult to delineate and distinguish between GENUINE NEWS and PAID NEWS (advertisements converted into news, of course for an extra payment to the Media).

India is a very poor country, where millions of people find it very difficult to get two square meals a day. Bulk of its population is Working Class. Everybody knows big budget films try to make a quick buck, by jacking up prices of cinema tickets in the first week of release of the film, as if the film will vanish into thin air during the second week. Of course, producers and distributors blame the Exhibitors (Theatre owners), for the black-marketing of Cinema Tickets. I have come across hotel workers, auto-drivers, shop clerks and sales persons, who hardly earn about Rs. 6,000 to Rs. 9,000/- per month (Rs. 200 to 300 per day), shelling out as much as Rs. 2,000/- (about 6 to 8 days wage) to see a film of about 3 hours. They do not know what they are doing.

Some Important Questions

1. Abnormally huge remuneration paid to Heros.
2. Preferance to shot films abroad, even when suitable Indian Locations are available.
3. High rents charged by theatre owners.
4. High profile media publicity.
5. Creating unnecessary sets and settings, spending millions, just to create scenes of a few minutes, which are later, often abandoned or dismantled, resulting in loss of huge quantities of materials such as plywood.
6. Studying History, Researching into veracity and tenability of Legends, Mythologies, and Histories are more important than indulging into fictitious and imaginary questions like "Why did Kattappa kill Bahubali?".
7. May be under evil influences from Hollywood films, Indians seem to have created self-illusions that "SMALL" is not beautiful, and "Small Films" are not financially viable.
8. Media, especially those firms and Companies which have sold financial strength, should not run for dosh from excess crazy advertising and greedy-unhealthy advertising campaigns, simply because there are some millions on golden platters.
9. A dozen Joy-generating, and message-filled (not preaching) films can be produced with the same investments of one single film like Bahubali Beginning and Bahubali-2 Conclusion. Some of them will definitely succeed, though some may fail. This Film World has not become totally black and dismal. When small films are produced, risks can be spread and hedged.
10. On the other hand see: If the big budget films like Bahubal Beginning and Bahubali Conclusion tank at Box Office? In fact, had NOT the producers, directors, distributors, exhibitors have not indulged in numerous unscrupulous marketing practices for creating illusions and craze among the spectators and the people, the two films might have flopped. It is not my wish that they should flop. We should anticipate the possibility of their flopping, and their consequences. At least some lives of some distributors will be wrecked. We can see the lessons from the said-to-be failure of Mr. Pavan Kalyan's films- Gabbar Singh, and Katama Rayudu. Let us wish that Film Industry in toto, and the billions of people across the world are not hijacked and dumped into craze and idiocy, by foolish business advertising and publicity propagandas.

To continue adding / deleting / modifying. सशेष. ఇంకా ఉంది.

615 Capitalism devors on the lives of vulnerable individuals पूंजीदारी विधान, व्यक्तियों के जीवनों को खा कर, बलिष्ठ होता है। పెట్టుబడిదారీ విధానం వ్యక్తుల జీవితాలతో ఆడుకొని, తాను బలుస్తుంది.

World Language English	National Language Hindi	Mother Tongue Telugu spoken by 100 million people, and quality and volume of Literature on par with English
1. Trigger & Introduction: Video-surfaces-showing-HIV-positive-Charlie-Sheen-performing-oral-sex-man-smoking-crack-cocaine. A DailyMail.co.UK report of a few days back. Link to those who want to read this report: Click to go to DailyMail.co.UK. According to information available on Net, this Star is worth about $ 150 million (About Rs. 10 billion). Some of his famous films are: Red Dawn, Platoon and Wall Street, Young Guns, Men at Work, Two and half a Men.	प्रवेश और परिचय: देड बिलियन डालर्स संपन्न हालीवुड स्टार चार्ली षीन, मौखिक सॆक्स करते हुऎ वीडियोस बाहर आये है। कुछ दिनों पहले, श्री चार्ली षीन अपने के हॆच ऐ वी पाजिटिव व्याथी विषय बहिर्गत किया। समाचार सूचनाओं के अनुसार इस मॆगा स्टार के लैंगिक भागस्वामी इसको छुप रहने के लिये पैसे माँग रहे है। श्री चार्ली रॆड डान, प्लेटून और वाल स्ट्रीट, यंग गन्स, मॆन् यट वर्क जैसे कई फिल्मों में अपना नटना कौशल प्रदर्शन किया।	ప్రవేశము, పరిచయము : హాలీవుడ్ స్టార్ శ్రీ చార్లీ షీన్ గారు 1.5 బిలియన్ డాలర్ల (షుమారు రూ. 1000 కోట్ల సంపన్నుడు) సంపన్నుడు. రెడ్ డాన్, ప్లాటూన్ అండ్ వాల్ స్ట్రీట్, యంగ్ గన్స్, మెన్ యట్ వర్క్ , టూ అండ్ హాఫ్ ఎ మెన్ వంటి చిత్రాలలో తమ నటనా కౌశలన్ని చూపారుట. ఇపుడు బయటకు వచ్చి నెట్ లో సంచారం లో ఉన్న వీడియోల ప్రకారం, స్టార్ గారు హెచ్ ఐ వీ పాజిటివ్ గా ఉన్న సమయంలో మౌఖిక సెక్సులో పాల్గొనటం, క్రాక్ కొకైన్ (మత్తుమందులు) పొగ పీల్చారుట. ఆయా విషయాలు బయట పెట్టకుండా ఉండటానికి మగ భాగస్వాములు, ఆడ భాగస్వాములు స్టార్ వారి వద్దనుండి పైసలు వసూలు చేస్తున్నారుట. శ్రీవారు కూడ వీలైనంతవరకు పైసలనిచ్చి కోర్టు బయటే సెటిల్ మెంట్లు చేసుకుంటున్నారుట. ఆయన పి.ఎ. నే ఆయన విషయాలను బయట పెట్టారుట.
2. There is a proverb in Telugu language. Its approximate English equivalent: When times are against us, our own towel on our shoulder (or our own scarf) will become a serpant and bite us.	तॆलुगु भाषा में एक लोकोक्ती है, जिसका हिन्दी अर्ध - जब हमारा अदृष्ट (किस्मत) हमारा विरुध्ध मे रहता, तब हमारे भुजों पर रहने वाले टवल ही साँप बन कर हमें काटेगा। महाभारत के नलोपाख्यान में महाराज नल को जूद में पराजित करना, अरण्यों को भेजना, वहाँ उनके कपडे खो देना, वह रात में अपने पत्नी दमयंती को छोड कर भाग जाना, नये जगह में एक काला साँप उसको काट कर, कुरूपी बनाना, ये सब काल सर्प या काल पुरुष के कामें थे। कर्म सिध्धांत के समर्धन करना इस ब्लागर का लक्ष्य नहीं है।	తెలుగు భాషలో ఒక సామెత ఉన్నది. కాలం కలిసి రానపుడు పై గుడ్డయే పామై కరుస్తుంది. నలోపాఖ్యానం అంటే నలదమయంతి కథలో, నలుడిని జూదంలో ఓడించి అడవుల పాలు చేసిందీ, బట్టలను కూడ పోగొట్టుకునే లాగా చేసిందీ, చివరికి అతగాడిని కరచి (తాత్కాలికంగా ) కురూపిగా చేసిందీ కూడ కాల సర్పమే లేక కాల పురుషుడే. ఫేటలిజం (కర్మ సిధ్ధాంతం) ను సమర్ధించటం ఈ బ్లాగర్ ఉద్దేశ్యం కాదు.
3. All these can only be considered as gyrations and vomitings which the Capitalist System causes in individuals. Capitalist System does not allow individuals to live their own lives. Super Riches beyond what a person needs for food, clothing, shelter, old age security, some education and health facilities for children, can create great stress on individuals and make them vulnerable to temptations.	ऊपर लिखा हुआ सभी चीजों को हम सिर्फ पूंजीदारी विकार कहना चाहिये। शिर कंपन, शरीर कंपन, वमन या उल्टी, ये सब पूंजीदारी परेशानी और उत्पीडन हैं। पूंजीदारी व्यवस्था मानव कों कभी अपने जीवन को नहीं जीने देती। रोटी, कपडा, मकान, वृध्धाप्य भद्रता, बीबी बच्चों के लिये विद्या सुझाव, इन से ज्यादा संपत्ती दुःख कारक ही होते है। पूंजीदारी आकर्षण व्यक्तियों को व्यसनकारी बनाते हैं। व्यक्तियों के जीवनों को पतनोन्मुख करते हैं।	వీటన్నిటినీ పెట్టుబడిదారీ ప్రకంపనాలు , కక్కులు గానే పరిగణించాలి. పెట్టుబడిదారీ విధానం మనుషులను మనుషులిగా బ్రతకనీదు. ఎవడి బ్రతుకును వాడిని బ్రతకనిస్తే అది పెట్టుబడిదారీ విధానం ఎలా అవుతుంది. నిజానికి, తిండి, గుడ్డ, ఇల్లు, వృధ్ధాప్యంలో భద్రత, కొంత మేరకైన పిల్లల చదువులు, బీబీ బేటాబేటీలకు వైద్య సౌకర్యాలు వీటన్నిటినీ మించి అతిగా పోగయ్యే సంపద మనుషులను వత్తిడులకు గురిచేసివారిని బానిసలుగా చేస్తుంది. జూదం, మద్యం, మత్తు మందులు, వ్యభిచారాది ఆకర్షణలకు గురిచేసి వారిని వ్యసనపరులుగా మారుస్తుంది. చివరికి వారిని పతనోన్నుఖులను చేస్తుంది.
4. Omar Shariff was another Celebrity Star who threw away his wealth in futile pursuits like bridge-stakes, horse-races.	२०१५ में मृति ईजिप्षियन याक्टर ओमर षरीफ भी इसी तरह, वृथा व्यय, द्यूत आदी के अनंतर समस्याओं में गिर पडे थे।	డాక్టర్ ఝివాగో వంటి గొప్ప చిత్రాలలో నటించి ఎంతో పేరు గడించిన ఈజిప్షియన్ నటుడు శ్రీ ఓమర్ షరీఫ్ గారు కూడ ఇలానే నిష్ప్రయోజనముగా సొమ్మును వమ్ము సేత అనే ఏడవదైన సప్త వ్యసనంలో చిక్కుకుని అసువులు పాశారు. ఒక ద్యూత క్రీడలో శ్రీ ఓమర్ షరీఫ్ గారు 4.4 మిలియన్ పౌండ్ల విలువ గల భవనాన్ని ఓడి పోయారుట. ఈ జూదం పిచ్చిలో కూడ భారతీయులు వెనుక పడి ఉన్నారంటే బాధకలుగుతుంది.
3. Tailpiece & Conclusion	धूमकेतु और उपसंहार:	తోకచుక్క మరియు ఉపసంహారం:

560 Part 1: Are filmi Capitalists afraid of anybody in this world? भाग १: क्या फिल्मी पुंजीदार, इस जगत में किसी से डरते ? భాగం 1: మన సినిమా పెట్టుబడిదారులకి ఎవరి భయమైనా ఉంటుందా.

Capitalists are not afraid of anybody. Even Prime Ministers and Presidents are afraid of Capitalists. How can filmi Capitalists be an exception? How can filmi music be an exception? The million dollar question is how to redeem our musicians who have been rendered bonded laborers by the Filmi Capitalists? हमारे पुंजीदारों को किसी के फिकर नहीं है। सभी देशों के प्रधान मंत्रियों, अध्यक्षों पूंजीदारों से डरते हैं, और उनको स्वागत करते हैं, उसको सलाम करते हैं। फिल्मी पुंजीदार, विश्व और भारतीय महा पुंजीदारों से भिन्न कैसा रहते हैं। यह कभी भी नहीं होगा। मिलियन् डालर प्रश्न यह है कि, हमारे संगीतज्ञ जिन को फिल्मी दुनिया आपने जीवित काल गुलाम बना लिया है, उन महा कळाकारों को कैसा छुडाना। పెట్టుబడి దారులు ఎవరికీ భయపడరు. దేశాధ్యక్షులు, ప్రధాన మంత్రులే పెట్టుబడిదారులకి భయపడతారు, వాళ్ళకి స్వాగత సత్కారాలు చేసి వాళ్ళకి అడుగులకి మడుగులొత్తుతారు. ఇంక ఫిల్మీ పెట్టుబడిదారులు మినహాయింపులుగా ఉంటారని ఎలా అనుకోటం. మిలియన్ డాలర్ల ప్రశ్న ఏమిటంటే, పెట్టుబడిదారులకి జీవితకాలపు బానిసలుగా మారిన మన సంగీతజ్ఞులను, కళాకారులను ఎలా విడిపించుకోటం?

From Sanskrit Music Treatise "SangIta mArtAnDam". संगीत मार्तांड नामक एक संस्कृत ग्रंथ से। సంగీత మార్తాండం అనే సంస్కృత గ్రంధం నుండి.

taurya trikam tALa hInam cAlayEt purushAdhamaha
sa pApI narakam ghOram ASu gachchati sa anvayaha.

తౌర్య త్రికం తాళ హీనం చాలయేత పురుషాధమః

సపాపీ నరకం ఘోరమ్ ఆశు గఛ్ఛతి సా అన్వయః||

तौर्य त्रिकं ताळ हीनं चालयेत पुरुषाधमः
सपापी नरकं घोरम आशु गछ्छति सा अन्वयः।।

Taurya trikam means the trinity of vocal singing, instrumental accompaniment, and dance. tALa hInam means : without rhythm. cAlayEt: if a person runs. purushAdhamaha: the lowest of the humans.

sa pApI : He is a sinner. ghOram narakam ASu gachchati: He will go to hell fast. sa anvyayaha : along with his clan.

तौर्य त्रिक माने गान, वाद्य, नृत्य। ताळ हीनं माने बिना लया। चालयेत पुरुषाधमः माने नीच मानव जो बगर लय, संगीत को चलाता है वह मानव।

स पापी : अघ और किल्बिष मलिन भरित दुष्ट। घोरम नरकम आशु गछ्छति माने, तुरन्तु वह दुर्भर यम लोक जायेगा। सा अन्वयः माने, उसके पुत्र, पौत्र, वंश सहित।

తౌర్య త్రికాలంటే నృత్య, గాన, వాద్య భరితమైన సంగీతం. ఇలాంటి మూడిటితో కూడిన సంగీతాన్ని లయలేకుండా నడిపే నీచమానవుడు ఘోర పాపి. వాడు భయంకర నరకానికి, తన వంశంతో సహా వేగంగా పోతాడు.

ybrao-a-donkey's humble views. I shall not insist that you agree with me. वैबीराव एक गधे के विनम्र वचन. आप मुझ से सहमत होने के निर्बंध नहीं है। వైబీరావు గాడిద వినమ్ర అభిప్రాయాలు. నాతో ఏకీభవించమని మిమ్ములను వత్తిడి చేయను

Extreme threats do not really bring compliance. अति तीव्र ढंग से डराने से या धमकाने से फायिदा क्या होगा? कुछ नहीं होगा। అతి తీవ్రమైన మాటలతో బెదిరించి ప్రయోజనమేమిటి ?

It is true that music gets embellished and sweetened with rhythm. लया से संगीत को अलंकारिकता और माधुर्य मिलेगा, यह सत्य है। లయతో సంగీతానికి గొప్ప అలంకారికత మరియు మాధుర్యము వస్తుంది.

But then, what is the use of threatening? जब तो, तीव्र वचनों से डराने से या धमकाने से लाभ के जगह पर नष्ट होगा। అయితే బెదిరించి ప్రయోజనం ఏమిటి? అతిగా బెదిరిస్తే లాభం స్థానంలో నష్టం వస్తుంది.

Qustion, सवाल, ప్రశ్న:
You are seeing the type of music we are getting in our film world, hollywood, bollywood, tollywood, kollywood, all types of woods. Do you find in today's film songs any melody, rhythm, sweetness in today's film music? Do threats like fearful hell will really frighten our Capitalists, and their slave Musicians? This Capitalist world is not afraid of anybody in Heaven, Earth, and the Nether world, including the consumers (in case of films it is the audience and the spectators).

आज के विश्व में आप हालीवुड, बालीवुड, कालीवुड, टालीवुड, जैसे जंग्लियों में, आप कई फिल्मों को देख रहे है ना? उन में आप कभी भी, कहाँ भी, शृती, या लया, या माधुर्य को देख सकते क्या? भयानक नरक जैसे शोच उनको कभी भी नहीं मन में नहीं आयेगा। हमारे पूंजीदार मालिक, और उनके दास संगीतज्ञ को इस जगत में किसके डर भी नही रहता। आर्धिक शास्त्र कहता है कि पूंजीदारों को विनियोगदार ड़र अवश्य रहता है, लेकिन वास्तव प्रपंच में यह नहीं दिख रहा है।

ఇపుడు హాలీవుడ్ లో, బాలీవుడ్ లో, టాలీ వుడ్ లో, కాలీ వుడ్ లో, అన్ని రకాల వుడ్లల్లో వస్తున్న సినిమాలను మీరు చూస్తున్నారు కదా. వాటిల్లో ఎక్కడైనా సరియైన శృతి గానీ, లయగానీ, మాధుర్యము గానీ ఉంటున్నాయా? భయంకర నరకం వంటి బెదిరింపులు పెట్టుబడిదారులను, వారికి దాసులైన మన సంగీతజ్ఞులను భయపెట్తాయా? ఈ పెట్టుబడి దారీ ప్రపంచానికి వినియోగదారుతో సహా (సినిమాల విషయంలో ప్రేక్షకులు) ఎవరన్నా భయం లేదు.

Answer जवाब జవాబు

In my mother tongue Telugu, there is a proverb: gongaLi lO tinTU ventrukalu lekka peTTukOTam enduku? Approximate meaning: Why count the number of hair(s), while dining on a torn woolen carpet? Threads of wool may fall on the food. No use of regrets, when we use a particular environment which either we have to change or stop fault-finding. मेरे मातृभाष तॆलुगु में एक लोकोक्ति है कि-- गॊंगळि लो तिंटू वॆंट्रुकलु लॆक्क पॆट्टुकोटं ऎंदुकु. माने-- फटे हुए कंबल (गलीचा, दरी) में खाने के समय पर बालों को गिनने से फाइदा नहीं रहेगा। గొంగళిలో తింటూ వెంట్రుకలు లెక్క పెట్టుకోటం ఎందుకు? (To continue. सशेष. ఇంకా కొనసాగించాలి.)